Music coursed through his artistic veins, empowering him to explore its profound depths through the curve of a line here, an expansion of a curve there, thereby making his canvas come alive with a host of characters. The brilliance of his longish, flowy sketches that have immortalised many a character in Malayalam literature sprang from his in-depth bond with the ragas. Namboothiri drew his creative energy from his deep love for music. Perhaps a lesser-known aspect about him was his deep passion and in-depth grasp of Carnatic music. In the next few minutes, the characters, with all their diverse traits, would begin to shape themselves in his mind.Īrmed with an exceptional grasp over different mediums, be it clay, wood, metal or canvas, he wrought magic through his artistic lines. Once Namboothiri familiarised himself with the storyline, he was said to be in the habit of lying down for some time. Not that he would have accommodated their input! The concept was wholly his. It is said that no writer ever briefed him about how their characters should be portrayed in his sketches. He could hence easily bring to life MT’s Bheeman and VKN’s Payyans, imparting them with a humane yet divine aura, as appreciated by scores of literary lovers. It’s about the common man!” was the short brief that M T Vasudevan Nair shared about ‘Randamoozham.’ Nevertheless, it was more than adequate for ‘Artist’ Namboothiri to sketch the protagonist with a few deft strokes.Ī humanist to the core, his greatest gift was the ability to probe within. It seeks to convey the pain of the ones ignored. It’s a story about an ordinary mortal’s grief, one who has experienced the hurt of being cast away.
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